A world wide electrical outage occurs. Everything that requires electricity comes to a stop. Tokyo is nearly ruined. Yoshiyuki Suzuki (Fumiyo Kohinata) decides to escape from Tokyo with his family.
Dr. Ichito Kuriharai (Sho Sakurai) works at a clinic in Nagano Prefecture. He rarely has any free time due to the clinic’s shortage of doctors and the constant influx of patients. Ichito even sometimes diagnoses patients out of his area of speciality and sometimes goes days without sleeping. He hopes to work at a major hospital where he can get more free time to spend with his wife Haruna (Aoi Miyazaki) and also specialize in his field of study. However, Ichito is also reluctant to add to shortage of doctors at the clinic and break his relationships with the patients. One day, Dr. Ichito Kuriharai clears out the belongings of a terminal cancer patient who passed away. During this time, he discovers a letter made out to him thanking him for the care he provided to her, even though he could not cure her sickness. Dr. Ichito Kuriharai then has a revelation about the medical chart he keeps in his hand – filled with personal observations and concerns …
Bem, Bela and Belo arrive at a new town plagued by a series of mysterious, unsolved cases which, as they discover, are caused by another youkai, one more powerful than they have ever encountered. The story will also focus on Belo’s first love, and his increasing desire to become human. In the meantime, Bem and Bela have found a way to become human, but are conflicted about whether to let just Belo turn human, or along with Belo, become humans themselves.
Set towards the end of World War II, Nomura (Masatoshi Nagase) is a writer who is in despair. A woman works in bar and is a former prostitute. Many years ago, her father sold her to a brothel due to the family’s severe financial hardships. The writer and the woman then agree to live as husband and wife until the war ends. The woman doesn’t feel sexual pleasures due to her past, while the man lusts for the woman’s body. Meanwhile, Ohira (Jun Murakami) fought for Japan in China. He participated in unconscionable acts against civilians in the name of war. He returns to Japan with only one arm. Ohira then begins to prey on innocent women.
The Go Master is a 2006 biopic by director Tian Zhuangzhuang of renowned twentieth century Go master Wu Qingyuan, better known by his adopted name of Go Seigen. The film, which premiered at the 44th New York Film Festival, focuses on the life of this extraordinary player from his meteoric rise as a child prodigy to fame and fortune as a revolutionary strategic thinker, as well as the tumultuous global conflicts between his homeland and his adopted nation. The film also features a scene involving the Atomic bomb go game.
Co-pilot Kazuhiro (Tanabe Seiichi) is up for promotion, but before he can get his captain’s wings he has to get through a flight evaluation, and things aren’t exactly going his way. He just crashed and burned on a simulated flight test, and his friendly examiner has been replaced with the tough-as-nails Harada (Tokito Saburo). On the same plane is cabin attendant Etsuko (Ayase Haruka) who’s flying her first international flight and trying hard to not mess up. Elsewhere in the Happy Flight universe, staff are bustling back and forth with various problems and gripes – all to make this ordinary yet fateful flight a safe and happy one.
Based primarily on the first game in the series, Phoenix Wright: Ace Attorney, the film focuses on rookie defense attorney Ryūichi Naruhodō, as he strives to protect his clients in various murder trials, including the death of his mentor, Chihiro Ayasato, and the accusation of rival prosecutor, Reiji Mitsurugi. Ryūichi’s greatest ally is Chihiro’s younger sister Mayoi, a spirit medium whose body is posessed by Chihiro to communicate with him. The film will be a courtroom drama combined with the video game series’ signature style. Sci-fi elements are also used such as characters bringing up holographic images of evidence during trials.
The lives of three people intersect on a late bus ride that’s hijacked by a suicidal political flunky. Shingo is a miserable young desk cop bucking for homicide division. Tetsu is a restroom cleaning attendant who has a mentally ill father and a penchant for mischief. And Saki is a petulant druggist/chemist who was born without an eye and keeps her disfigurement hidden behind shades. Months after the hijacking, the trio lives re-intertwine as they playfully seek revenge for their unhappy lives, until the games become deadly serious.
Sawa, a home helper for a middle class family with an elderly infirm grandfather, is forced to stretch her morals to keep her job. As a result, she finds herself broke and out on the street. She survives her first night by striking up an ambiguous friendship with a kindly old man, gaining access to a portion of the immense wealth held by Japan’s aging population. She continues with similar encounters, and while these begin as scams or revenge on rampant sexism, they ultimately become vulnerable intergenerational exchanges.
Kenji is a young aspiring movie director. He falls in love with Princess Miyuki who came from a black‐and‐white movie.
Set in Hokkaido, Japan in the 1880s. Jubei Kamata (Ken Watanabe), who is on the side of the Edo shogunate government, kills many people. His name is infamous in Kyoto. When the battle at Goryoukaku is about to be finished, Jubei disappears. 10 years later, Jubei lives with his kid in relative peace. He is barely able to make a living. Protecting his dead wife’s grave, Jubei has decided to never pick up a sword again, but due to poverty he has no choice but to pick the sword again. Jubei becomes a bounty hunter.
From the mind behind Evangelion comes a hit larger than life. When a massive, gilled monster emerges from the deep and tears through the city, the government scrambles to save its citizens. A rag-tag team of volunteers cuts through a web of red tape to uncover the monster’s weakness and its mysterious ties to a foreign superpower. But time is not on their side – the greatest catastrophe to ever befall the world is about to evolve right before their very eyes.
When Mothra went into outer space to stop a meteor from reaching Earth, she accidentally took with cells from Godzilla and remaining cells from Biollante that inhabited our atmosphere. The combined cells went through a black hole and created a new creature, Space Godzilla. Space Godzilla heads to Earth to confront Godzilla, Junior Godzilla, and the new G-Force robot, MOGERA.
Zatôichi is a 19th century blind nomad who makes his living as a gambler and masseur. However, behind this humble facade, he is a master swordsman gifted with a lightning-fast draw and breathtaking precision. While wandering, Zatôichi discovers a remote mountain village at the mercy of Ginzo, a ruthless gang-leader. Ginzo disposes of anyone who gets in his way, especially after hiring the mighty samurai ronin, Hattori, as a bodyguard. After a raucous night of gambling in town, Zatôichi encounters a pair of geishas–as dangerous as they are beautiful–who’ve come to avenge their parents’ murder. As the paths of these and other colorful characters intertwine, Ginzo’s henchmen are soon after Zatôichi. With his legendary cane sword at his side, the stage is set for a riveting showdown.
Remake of The Life of Guskou Budori (1994).
The fairy tale follows a young man named Guskou in the Tohoku forests of northeastern Japan in the 1920s. After an onslaught of droughts and natural disasters, Guskou is forced to leave his home and search for a better life elsewhere. Guskou joins a group of scientists at the Ihatov Volcano Department, which deals with the same natural disasters that drove Guskou from his home.